It is the last time when I do exclusion with Netflix even downloading their movie from torrents (what I proudly always did), because I can’t stand continuing lie which in making disinformation documentaries and a company can be considered a collaborator of the Democratic Party which does acts demolishing democracy while Netflix supports them financially and makes contracts on projects with it’s representatives. I watch this film because it was made before release of a first pseudo-documentary.
Well. I think it’s a first time I regret that I downloaded a bad flick from torrents. I got disgust if I would watch movie at whole. I saw not just the most dreadful of 2024, but there is nothing alike in abhorrent for the last years. Of course, these films exist and I believe which ones, but I would know precisely if I work for newspaper and be forced to watch another dreck of week. Hallelujah, I can choose.
Beverly Hills Cop: Axel F wants to be from eighties and makes mess as it’s in combination of contradict each other shots from very beginning. Dark premise and gloom music speak on something disgusting comes, but there appears light what means a car left tunnel and we see smiling Eddie Murphy. I think a fact that director didn’t stage a big movie before influences though there were people who made a masterful debut, but not Mark Molloy who is one more grey of myriad of nowadays directors.
I don’t know how much political correctness lunacy there and don’t desire to know. I’ve got po in a big size. A main hero sits with a Caucasian sidekick who afraid to pronounce “negro league”. He will disclosed as a white guilty man, an ideal in vision of political correct niggers. Certainly, that the last word will be said by Murphy and it will very soon. A protagonist will cross way with armed robbers who easily kill people. He enters with no weapon on hand and will use same chatty nonsense approach, which I didn’t like in old films and it made an early end of watching of a second part. It wouldn’t work in reality while in this flick I can’t believe in shyness of attackers. I, as the whitest man in the world, don’t believe in this “nigga shit”.
By the way, let me to carry on to be offensive for political correct auditory. Murphy is fat. I mention this, because it’s against his personage who is still on the street. He didn’t prepare for role, but what can expect from an arrogant man?
I hadn’t attraction to film series decades ago. Something rejected to look when they were on television. I clicked and watch piece on channel of any of parts and didn’t stay. I wasn’t excited when I saw a year ago. I did it for upcoming new chapter with which I was supposed to erase an intention to see by reading list of shame which every scriptwriter have.
Axel F does nostalgia factor by taking personages from previous parts, but it can’t play with not good script and final scene which recreates car sitting doesn’t make matter.
Nothing in order. Phrases assumed as jokes characteristically don’t laugh, dialogs can be with senselessness in connection and odd music in dynamic action (in which I thought on Monday, Monday in The Other Guys.) willn’t once, as I saw in clicking, and this relaxing music will take awkward place in credits. Lorne Balfe can’t invigorate by using familiar tunes an do familiar worst in modernizing it. A drop from reality comes on the seventh minute. The personages in danger by being shot while the guilty white man calls wife and speaks on typical action acts of Foley and that aspect will be repeated more than once what bored me in short times. I already saw it is worse than a third part, which had a masterful director and Come See About Me. I couldn’t care on heroes and happening. It was lifeless (what actually a trademark of modern cinema.). The movie was throwing ideas to which didn’t activate in realization. Chasing on snowplow the robbers who escape on quadracycles don’t hype in alongside watching on colliding with something or one of hostiles gets dislodged by chain with no word on explain on how it’s possible in that circumstance. The local cops whose car was hit by the snowplow perceive with apathy and admit usual behavior of Foley. Fantasy world was in a first part arrest of protagonist for disturbing peace which he didn’t punish and that situation would be real in an authoritarian country, but a scene was an exception whereas Beverly Hills Cop: Axel F is stable in surrealism.
Joseph Gordon-Huey-Louie-Dewey… I can’t remember, but he still didn’t learnt acting. Who had hesitations on that Kevin Bacon willn’t a main villain? And it’s not because he is a white man. It was one big name. His personage talks dead serious with lead character. He speaks that police work doesn’t respect. How many times such behavior and complaining of hidden villain were seen before? Mention stereotype and you will get it. An estranged daughter – here. A kidnapped daughter – right here. A conflict between positive heroes, reunion then and fighting against bad guys – you know! And killing of Kevin Bacon will fantastically sloppy staged for unauthentic giving bullet to Murphy, but, as can guess, he will survive. I’m extremely sure, it was done for a family scene in hospital.