She Rides Shotgun

It seemed as a good drama. She Rides Shotgun had a wonderful conception about father who just came out from a prison but forced to escape and he takes his daughter. Maybe, I discovered a rare gem in cinema?

A narration went promising. A strong gritty drama. A tantalizing elaboration of corrupted story’s region. Interesting line of relationship and it’s development between father and nine year old daughter who were played by Taron Egerton and Ana Sophia Heger and they both demonstrated a powerful performance. He wants to be a good father and teaches her about life in his inadequate vision. A personal magnificence is showing a girl who got into a gritty world. That movie when you desire to know backgrounds of lead characters and people they meet. A film goes with mesmerizing directing in which demonstrates a creativity of shots. A great presentation of a plot and disclosure of facts about personages and the world in which they are. A composer creates a needful and incredible mood for occurring story.

I could excuse the director in that he can’t make any kind of action, either shooting or fighting or car chase and this will till the credits. His brawls have no authenticity, cut, a switch on another camera shows a different placements of heroes and unrealistic itself. I do also can accept a couple of moment of predictability in a script. I could watch despite in this story a protagonist doesn’t disarm a man and prefers to run and that can consider for recklessness of a personage but that attacked him human doesn’t chase and shoots in a main character when he will behind of a car while Egerton’s hero before reach cover had also colliding with a moving automobile, which driver only honked but he didn’t stop. Later, when a main personage escapes from a police, the oncoming cars don’t move aside from a pharaoh’s vehicle with an activated siren. However, a behavior of that unknown cop is against protocol, because he doesn’t use a speaker after his collision with hero’s transport caused to stop both and it couldn’t end that some automobile didn’t notice an active police car when did it’s hitting. These movements faded mine engagement, but the script was still strong.

However, it wasn’t always. A decent Asian police detective could storm a base of a criminal organization which in leading of a high-ranked policeman before he does it in the end. Eventually, there will no explanation why bandits wanted to kill a released convict and his daughter. Many questions stay undisclosed. No idea what happened with a lead personage’s uncle and et cetera about characters and details. Quality makes a strong down in everything to the final. Overdramatizing of scenes where is want to make a good shot does without adding logic. The composer disrupts in giving a correct mood to happening, and it deprives in initial understanding. All that began with a screenplay where an appearing man who must become a main villain is presented in the most stereotypic and simple approach, which is killing somebody in the cruelest ways. Personalities are fading. That Asian cop who goes on storming of location filled of armed and merciless criminals arrives with the girl and leaves her on a line of fire. It will futile to ask on why he took her. That’s culminate shootout becomes a crazy house. The cops can’t kill bandits who stay at full height while get loses themselves. It makes to realize that nobody who made this movie did learning of police procedures. Shooting becomes murky in the end because you see only few moments. A conclusion fight between the main personage and the villain comes to moment that the protagonist almost grabs a pistol but an adversary takes him in the next shot where Egerton’s hero lies in different position. It was a familiar switching of cameras to that moment. There was useless to ask on why she didn’t attack again. Afterward, an antagonist takes her hostage and walks outside in front of servants of law. Egerton’s personage impales the villain from a back, it led that the girl escapes while the Asian cop orders to attack and they kill these two males. A main hero dies by mindless police forces. It was a situation when the lead personage could survive but died for ongoing two-bit drama. Furthermore, the girl wasn’t far away when cops opened fire. It wasn’t a strong flick. A main heroine in her young age didn’t care on shooting and after all she had no consequences from experienced.

Taking a political correct meter, it’s minimized and doesn’t rub eyes before this does in the last dozens of minutes, which perceive that filmmakers thought they must raise a quantity of non-white people for keep a standard because one Asian isn’t enough.