Arrival from 2024. Broken Rage.

Look out! I will speak on details of flick.

I expected there will nothing more than idea of experimental narrating in a new movie of Takeshi Kitano while a plot itself willn’t significant. I loved this creativity by telling story serious and retelling it as comedy but I wasn’t impressed in promotion materials by don’t attracting to comedy among there and I had some piece of grievance by a previous work of maestro of camera and screen. However, something made me to watch this movie today.

Director and actor Kitano involves Yakuza again and that never tires. He does a spectacular work of narrating by his staging as a good old school does. Though he tells a simple and loose with reality story in a first part which on an assassin who thought he doesn’t leave traces but he does. However, Kitano makes to be charmed by it.

A second half is an unstoppable slapstick comedy which, certainly, a Japanese kind what means grotesque and a master reaches absurd in joking there which similar to anime. More than once, he does fun on simple. But eventually all that is great. I laughed and sometimes I did prolong (as that I had with a witness detection and an interrogation which is also a grandiose.). I believe, this three times same expression from actors, who are all finest, wasn’t a part of a script. Toward the end, a comedy stops to keep a constant pace by repeating scenes of a first half while it stays funny till final.

I was raptured and exhilarated by narrative presentation. I have no claim about dislike. It’s nice that there is no bow to political correctness in this time.