Fight or Flight

ATTENTION! I will do a little spoiling in a review.

I was attracted to this film by it’s phenomenal idea, I rejected then by believing after doing learning it willn’t realize a conception and will a usual lifeless and characterless movie with no matter that it was made in Britain because every country lost individuality now and I accidentally stumbled upon this flick again and getting of a new information made me to decide to give a look on place.

Another unknown names perceived for one more inconspicuous filmmakers. Fight or Flight wasn’t well in beginning. The actors weren’t on top in performance, a cinematographer and a director did wrong angles and unbalanced switching in cameras by giving incorrect ways of dialog between personages’ talking. It wasn’t right that do most of jokes on swears even though their presence are reasonable. Josh Hartnett was a single talent. This man deserves incredible roles. But things became that everything not fine and negative turned out to acceptable in watching. Even though among performers Marko Zaror overplays in his short presence and he can’t be funny. His finest hour becomes in action because his acting and showing of imposing martial arts skills are only there touch the ground. However, never ever seen before Charithra Chandran is ordinary horrendous and sometimes it includes an extreme overacting. Nevertheless, Fight or Flight became a flick which can balance smoothly between serious tone and comedy. A script reveals sophistication and discloses in process the smashing and creative dialogs. Cursing stays always reasonable but humor has not only that to fortunate. I was exhilarated by punch into modern subculture in episode with meditating or whatever doing these modern hippies. A film narrating became with surprises where a pivotal role takes fights which on high initially. The flick impresses in inventiveness of combats and that above all for nowadays in seeing rumbles between people. Hartnett is convincing in beating with his lovable imperfect body. Same rare good was in Charithra Chandran.

It’s hard to find a movie today which doesn’t contain a political correctness nonsense. Presence of it in Fight or Flight I rate as almost bearable. It’s possible in a country in which situates a lead hero and with passengers on that plane but I sensed places in which it was as a “must requirement” as it was in a CIA office and personnel of this flight to San Francisco.

The ending points to sequel. And I want to see it! Here I only make fingers crossed that a continuation will keep to originality, willn’t repeat and willn’t take any low in greatness as it usually happens today.