Pandering of Hollywood studios for get release in Han Empire is subject of this documentary. It’s narration was interesting while didn’t disclose unknown for me. I read news back then and did meticulous learning of it. I say that author of Hollywood Takeover Tiffany Meier could be more detailed.
It makes statement Richard Gear’s career was ruined by performing in Red Corner whereas he became critical of Han Empire and supportive of Tibet and all that caused blacklisting of him from filthy five studios but an actor is happy by performing in independent movies.
Documentary inclines on influence of Han Empire by that how American studios searching for solution to get release. Hollywood would bow to any big market. It only about money as rightly was said more than once on many time asked “why are they doing?”, which is a a rhetorical question actually. Documentary exaggerates on brainwashing, “level control”, pushing of own propaganda while changes made for release in Han Empire are always minor as it putting of their actors, filming of some scenes in commieland and usually considering disputable islands belong to them. A mentioned scene with Xueqi Wang who saves live to Iron Man was filmed and demonstrated specially for Han Empire. Hollywood Takeover doesn’t mention this detail. Documentary makes a little disinformation. Uyghurs weren’t villains in scandalous live-action Mulan. Rouran as initially. No telling on how communists wanted to come in the world with own films and nothing on current box-office of American films there. Certainly and I personally consider Han Empire is a worldwide danger and it’s a main one but about cinema I more disturbing for putting of political correct agenda, which is poisonous and dangerous. Especially for children. It became hard to be a parent in America when I look on people who decided to be because such propaganda everywhere. Hollywood studios is part of it. I joyful on that most of these movies didn’t survive in box-office.
Near to the end, documentary swaps oddly on Han Empire’s ambition on world dominance by saying these two words without presenting specificity. I looked on images of coming last ten minutes and that made me clear – it still willn’t informative.
I had a small portion of discovery of unfamiliar. Chris Fenton, who was involved in turning script in favor to enter in Han Empire, tells inquisitive things on process of how such decisions were made. And Nick Searcy, who comes once, brings a mesmerizing own personal experience.
A misfire of Hollywood Takeover. Host narrates documentary and her always can see. She gives interview in one moment and looks as a participant – it isn’t a competent decision.
Watching on how sold far-left actors do presentation of film in Han Empire causes disgust, which I got long ago in alongside of their support of candidates of local communist party, which strangely calls the Democratic. I blacklisted all these people who lost adequacy if you dare to listen their talking on politics. However, these cowards couldn’t execute their promise to move to Canada. Statham among them was outsider of that, my apologizes, rotten pile and he was one who used to be a personality. I watch on him somewhere in Han Empire and I had not regret for his turn, only same getting of abomination.